Fridge in the moon
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Wednesday, February 25, 2009
Graffiti Art Beetle
Beetle Graffiti Art
variations between graffiti beetle that are flying over the city with graffiti any posts is very interesting and creative ideas.
Tuesday, February 24, 2009
Writing Graffiti Style
You see it everywhere these days, from the fronts of T-shirts to the underside of bridges. You can buy coffee table books on the subject and even download fonts for your computer that attempt to emulate it. Graffiti art is everywhere, and there are as many different styles as there are individuals who use a can of spray paint and the side of a building as their medium. But there are some basic tag styles that can be emulated if you are trying to learn how to write graffiti style.
The most basic style of graffiti writing is also the simplest and most unornamented. The letters are usually shaped much like you would write them with a pen in a Roman type font where the letters don’t touch each other. This kind of work is commonly seen in long written works or as a signature on a larger piece of graffiti. It is the perfect place to start when learning graffiti writing, though, because anyone can do it.
The next step up in difficulty would be “throw-up” style, which incorporates the outlines of letters into the design.
Graffiti Law Tagged OutA LAWSUIT spurred by the fashion and video game designer Mark Ecko has at least temporarily won back for young New Yorkers (ages 18 to 21) the right to purchase spray paint and broad-tipped markers.
Some stern adults in the city are certain that the only reason any youngster would want to possess such art supplies is to add to New York's graffiti. The law, spearheaded by City Councilman Peter Vallone Jr., went into effect in January and was suspended in early May by a judge pending the outcome of Ecko's lawsuit. The ban still applies to New Yorkers under 18.
History of Graffiti
History of Graffiti
Historically, the term graffito originally referred to the inscriptions, figure drawings, etc., found on the walls of ancient sepulchers or ruins, as in the Catacombs of Rome or at Pompeii. Usage of the word has evolved to include any decorations (inscribed on any surface) that one can regard as vandalism; or to cover pictures or writing placed on surfaces, usually external walls and sidewalks, without the permission of an owner. Thus, inscriptions made by the authors of a monument do not class as graffito.
The first known example of "modern style" graffiti survives in the ancient Greek city of Ephesus (in modern-day Turkey) and appears to advertise prostitution, according to the tour guides of the city. It stands near the long mosaic and stone walkway and consists of a handprint, a vaguely heart-like shape, a footprint and a number. This purportedly indicates how many steps one would have to take to find a lover, with the handprint indicating payment.
Ancient Pompeiian graffito caricature of a politician.The Romans carved graffiti into their own walls and monuments, and examples of their work also exist in Egypt. The eruption of Vesuvius preserved graffiti carved on the walls of Pompeii, and they offer us a direct insight into street life: everyday Latin, insults, magic, love declarations, political consigns. Hadrian's Villa at Tivoli also has several examples. One example has even survived that warns: "Cave Canem", which translates as "Beware of the dog," next to a picture of the dog in question.
However, not only Greeks and Romans learn how to graffiti: the Mayan site of Tikal in Guatemala, also contains ancient examples. Viking graffiti survive in Rome and at Newgrange Mound in Ireland, and Varangians carved their runes in Hagia Sophia in Constantinople. The Ancient Irish inscribed stones with an alphabet called Ogham -- this standard mode of writing may not classify as graffito.
Later, French soldiers carved their names on monuments during the Napoleonic campaign of Egypt in the 1790s.
Art forms like frescoes and murals involve leaving images and writing on wall surfaces. Like the prehistoric wall paintings created by cave dwellers, they do not comprise graffiti, as the artists generally produce them with the explicit permission (and usually support) of the owner or occupier of the walls.
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